how to create a hand-wired bouquet

During Longwood’s Comprehensive Wedding Design class we made boutonnieres, corsages, and flower girl pomanders…but it was the bouquets, oh the bouquets, that were the best and most rewarding to create.  I’ve made my fair share of bouquets of course, but had never learned to do a hand-wired one.   The hand-wiring technique is the “gold standard” for creating a bridal bouquet, according to teacher Nancy Gingrich Shenk, an old pro in the wedding biz.  Hand wiring the stem of each flower allows you almost perfect control over stem placement and makes the bouquet lighter and easier to handle.  Creating a symmetrical and rounded bouquet is that much simpler using this technique.  I found myself enjoying this new skill and the resulting design very much!

the lovely juliet with hand wired bouquet

the lovely Juliet models my hand wired bouquet- isn’t she a gorgeous bride?

My 'gold standard' hand-wired bouquet with cream roses at the peak of their perfection

My ‘gold standard’ hand-wired bouquet with cream colored roses at the peak of their perfection

To create a hand-wired bouquet like the one above, start with the proper materials and tools, including wire, floral tape, about 20 roses, some lemon leaf or other foliage, ribbon and pins (for the handle,) pruners or snips, wire cutters and scissors.

18-28 gauge wire, 18 is the largest diameter, 28 the smallest.  24 is the workhorse in floral design

18-28 gauge wire, 18 is the largest diameter, 28 the smallest. 24 is the workhorse in floral design

The correct gauge wire to use is heavy enough to replace the natural stem and hold the head upright, but not too heavy to add extra weight to the finished design.  (So as you do your wiring, hold the flower just by the wire, and if the whole thing falls over, your wire is too light!) 24 gauge is the “workhorse” in floral design, but for this bouquet I used 20 gauge, just a little thicker.

Pass the wire through the calyx, fold over and wrap in floral tape

Pass the wire through the calyx, fold over and wrap in floral tape

To wire a flower, start by breaking off it’s stem, leaving only on inch.  Insert the wire through the flower’s calyx, the green bulbous part that meets the bottom of the flower, pull the wire through a bit, and then fold it over.  Then wrap the whole new wired stem in light green floral tape.  (Take the end of the floral tape in your left hand, attach it to the top of the stem and wind it down on a diagonal with your right hand. Floral tape is not sticky on it’s own, but it sticks to itself when pressure is applied.)  During the wiring/taping process, be careful to handle the actual flower as little as possible to avoid bruising. TIP: White flowers bruise more easily

notes on angling stems

Wiring and taping is a laborious and time consuming process, but it makes the next step easier.  Select your most beautiful flower – this will be at the very center of your bouquet.  Hold it by the stem a few inches down, and so the flower is facing the ceiling.  Take your second flower and angle it’s face towards the wall, snugging it up against the first flower.  Bend the wires so they are both in the same line, pinched together by your fingers a few inches down from the calyxes.  Then turn the whole thing (I went clockwise,) put your third flower on an angle facing the wall again, bend the wire, turn again.  Do this until you have that first circle of flowers around flower number one.

Place each stem at an angle to the center flower and turn.  Wire as you go to give your hand a break.

Place each stem at an angle to the center flower and turn. Wire as you go to give your hand a break.

If your hand is tired, wrap the stems with wire at the pinch point.  The next set of flowers will be even more angled away from flower number one, so that if you left them when placed, the wire stems would almost be perpendicular to flower number one.  But you are tucking each wire stem straight down to be with the rest of the bunch.  As you place flowers, you can use a mirror to make sure your bouquet is symmetrical.  It’s important to remember that this bouquet must look good from every angle!

Here a fellow classmate and I check to see if our bouquets are symmetrical in the mirror

Here a fellow classmate and I check to see if our bouquets are symmetrical in the mirror

After you’ve secured your wires together with another wire, add some wired and taped lemon leaf to the bottom of the bouquet.  One layer of leaves will be ‘shiny side up’ so that it looks good from above, and the next layer will be ‘shiny side down’ so that the bride sees the prettiest part as she holds the back of the bouquet.  Then, cut out some of the tape-covered wires with your wirecutters.  This will minimize the weight of the finished design.  Wrap the whole thing in another layer of floral tape, add a ribbon and pins and voila!

Add a layer of leaves and a pretty ribbon to finish off the underside of the bouquet.

Add a layer of leaves and a pretty ribbon to finish off the underside of the bouquet.  The “thumbholder” here is for the bride to tuck her ‘something old’ hankie into!

My hand wired bouquet displayed in an old chemistry holder to see the form

My hand wired bouquet displayed in an old chemistry holder to see the form

Some of the other students in the class made excellent bouquets.  I regret not having taken more pictures!

Kate's bouquet was bold and modern with a touch of a garden feel

Kate’s bouquet was bold and modern with a touch of a garden feel

Lindsey tucked a few cymbidium orchids into her bouquet.  Her roses were of different sizes, creating a romantic 'fresh from the garden' feel.

Lindsey tucked a few cymbidium orchids into her bouquet. Her roses were of different sizes, creating a romantic ‘fresh from the garden’ feel.

Fuschia roses combined with chartreuse cymbidium orchids - wild and modern!

Fuschia roses combined with chartreuse cymbidium orchids – wild and modern!

There was so much presented in this course, I couldn’t possibly cover it in one blog post.  All in all it was one of the best courses I’ve had at Longwood, infused with the personality of our teacher, who really has “seen it all” when it comes to the wedding business.  She told us countless stories of brides and their families gone wild, and when we got into discussing the business side of things, revealed that when she worked with some particularly difficult clients, she slapped on a “10% Bitch Charge” to the bill!

Coming up soon- hand tied and cascading bouquets!

eco-friendly

I try to employ eco-friendly practices when creating floral designs.  But what does that mean?  You might think that the very act of arranging flowers would be considered “green,” or eco-friendly.  But there are many elements of the floral industry to consider if you want to feel good about creating beauty with the treasures of nature you’re bringing into your home.

Today, we have an abundance of choice at our fingertips.  From the tiniest of flowers like lily of the valley and delicate white stephanotis, to dinner plate-sized dahlias the color of sunsets, and huge garden roses that resemble peonies, the diversity and array in the floral kingdom are literally endless.  Exotics and tropical flowers and foliage are readily available. We can get orchids, carnations, mums and lilies anytime of the year.   The choices are downright dizzying.

The floral choices at our fingertips are endless

You might pick up a store bought bouquet and have no idea where your flowers came from:  in fact, 60% of the flowers sold in the U.S were actually grown outside of the U.S.  Transporting flowers from Holland or Ecuador requires not only the jet fuel to travel, but also a great deal of packaging to protect your glorious buds and blooms.

60% of the flowers sold in the U.S were actually grown outside of the U.S

On top of that, these flowers may have been grown in a country where regulations on the use of various pesticides are looser than ours in the U.S.; where workers are exposed to harmful chemicals, as are the many people who handle the flowers as they make their long journey from grower to auction house to wholesaler to retailer to you.  Additionally, the flowers themselves may be out of season, difficult to grow, and require energy-draining practices to force them into bloom.

Don’t be dismayed, because they are many ways to avoid these imported, chemical-saturated blooms, and practice eco-friendly floral design.  First, consider what’s in your yard or garden.  If there’s not much there, and you have the space, start your own cutting garden. Seeds are cheap!  Companies like Seedsavers in Decorah, Iowa, offer organic, non-GMO heirloom varieties of a great number of flowers great for home arranging.  There are many seed companies with excellent cut flower choices for the home grower.  This year I started a cutting garden and I plan to grow even more this year!

Grow your own flowers from seed using companies like Seedsavers Exchange
Simple design I created using hydrangea from yard and Queen Anne’s lace grown from seed

If you must purchase cut flowers, try to source them from local growers who practice sustainable growing methods.  If you’re in the Philly area, check out Love n Fresh Flowers, run by Jennie Love Also check out Kate Sparks of Lilies and Lavender. Local florists like falls flowers run green businesses, where they source as many locally grown flowers as possible, and recycle just about every scrap of anything used in the store.  These are just a few of my eco heroes.

Country bouquet I designed using flowers grown by Jennie Love, in NW Philly

If you buy cut flowers from your local grocery store, inquire as to their origin, and seek out stores who sell sustainably grown cut flowers such as Whole Foods and Trader Joe’s.  Additionally, try to buy cut flowers that are in season.

Whole Foods sells locally grown seasonal blooms

When arranging flowers, I try to avoid using floral foam – it’s not biodegradable and contains formaldehyde which can cause health issues over time.  Instead, use fresh clean water and sustainable floral mechanics like branches to hold up your stems.

Use branches to hold stems upright instead of floral foam – design I created at Longwood under the guidance of instructor Jane Godshalk (branches used in this fashion was her idea)
Bunch up curly willow and put it into your container, then add floral stems

Other ‘green’ mechanics that can support floral materials include the use of sand, or fashioning a grid made from tape that’s affixed to the top of your container.  I had fun cutting up lemons and using them in the design below – they not only provide a place for stems but also acts as a decorative element when viewed through glass containers.

Use colorful fruits to hold stems upright

There are many other floral design techniques which can be considered eco-friendly – such as using less material, a principle that is found throughout many schools of Ikebana.  For example, it’s easy to create unique arrangements by grouping smaller vases together and only using one or two stems in each.  Or, it can make quite a powerful design statement to see one or two bold sunflower stems in a clean glass vase.

glass test tubes filled with spring stems
Peicha of falls flowers uses many small containers in this unique centerpiece design
Green Tip: use many small bottles with one bloom each for impact

And finally, when your flowers have faded, be sure to compost them!

Design using spring shrub blooms

be a good sport – creating floral awards

Have you ever imagined the Greek athletes, crowned victorious with laurel wreaths at the ancient Olympic games?  Or wondered why the sprig of laurel has come to symbolize victory, and is imprinted on modern Olympic medals?

Apollo wearing laurel wreath

There is a story behind the laurel wreath – and of course it’s somewhat torrid and involves various Greek deities.  In order to prove his arrows were as powerful as those of Apollos, Eros shot Apollo in the heart with a gold tipped arrow, forcing him to fall in love with a nymph named Daphne, who was also shot by Eros – using a lead-tipped arrow.  The leaden arrow turned her against Apollo, and all men in fact, making her prefer hanging out in forests alone.  Apollo pursued Daphne unrequited, his love all-consuming.  Even in her flight from him she was alluring.  Eventually he gained on her and her strength failed, at which point she begged her father to save her, which he did by turning her into a laurel tree.

sculpture by Gian Lorenzo Bernini – Apollo e Dafne: Apollo chases Daphne and she turns into a laurel tree.

“Since you cannot be my wife,” said he, “you shall assuredly be my tree. I will wear you for my crown; I will decorate with you my harp and my quiver; and when the great Roman conquerors lead up the triumphal pomp to the Capitol, you shall be woven into wreaths for their brows. And, as eternal youth is mine, you also shall be always green, and your leaf know no decay.” The nymph, now changed into a Laurel tree, bowed its head in grateful acknowledgment.

Ross Smith of CSU, first place M-21 North American winner of the Long Distance at North American Orienteering Championships, wearing a head wreath I created from bay laurel and eryngium

The laurel was part of my inspiration as I created the victors head wreaths and other floral awards at the illustrious North American Orienteering Championships this past October.  Laurus nobilis, also known as Sweet Bay or Bay Laurel, is not only used for victory crowns, it’s an herb commonly dried and used in soups – bay leaf.  When fresh, if you crush or rub the leaves, a sweet scent is released.  That is the sweet smell of victory, of course.

Ali Crocker, of CSU, first place North American F-21 winner of the Long Distance at the North American Orienteering Championships – at dinner, she’s still wearing her crown! (iPhone pic – sorry not great)

Here is superstar Ali Crocker again, wearing a wreath bedecked with seeded eucalyptus, spray roses, and waxflower. She was the first place North American F-21 winner of the Middle Distance at NAOC.

Sandy Fillebrown of DVOA, the astoundingly amazing event director at NAOC, offered me this floral opportunity – which I’m proud to say was roots to blooms very first ‘outside of the family’ commission.

My car filled with flowers at the lakehouse we rented. It was a pleasure to do floral design surrounded by such incredible beauty.

Because the sport of orienteering is a family tradition, and something I’ve just started doing in earnest this year, I was doubly excited for this floral challenge! My worlds were colliding.  In fact, not only was I creating these awards, I was competing at this event – run in the morning, award ceremonies in the afternoon, make more floral awards at night!

Orienteering Control at NAOC’s Model Event

Orienteering is a sport that requires speed and smarts – using a map and compass, you must navigate through unknown terrain to find the points on the map that correspond with orange and white flags in the woods.  It’s a timed event, and you compete against others in your age category.  NAOC is basically the top event in North America, so these floral awards were going to the top 3 athletes in the male and female age 21 category for 3 days of races. (That’s 18 awards for me to create.) First place awards were floral head wreaths.  For second place awards, I created neck garlands like leis, and third place got a handheld bouquet.

Top 3 male finishers at NAOC in M-21 category on Sprint Day – Ross Smith (CSU) Andrew Childs (GMOC), and Eric Kemp (OOC)

My work area at the lakehouse – on a dropcloth

I made the bouquets first, since these could be in water right up until they were given out.  I used bay laurel, spray roses, eryngium, miscanthus from my parent’s house, euphorbia from my garden, italian ruscus, goldenrod, sunflower, hypericum berry, ‘garnet king’ mums, ‘bronze cushion’ pom pons, ‘purple bride’ kale, and craspedia.

3rd place awards – bouquets

Louise Oram (GVOC) holds her 3rd place award for the Long Distance at NAOC.

Bouquets were wrapped with twine – photo by Julie Keim

Each night, I made the neck garlands for the next day’s awards. The neck garlands were really a blast to make.  Essentially you are just stringing carnations together – and I wouldn’t use any other flower because the carnation is the toughest and has a big huge calyx – the green base of the flower that connects with the stem.

Serghei Logvin (GHO) North American M-21 2nd place winner of the Long Distance at NAOC. He is rocking his neck garland by roots to blooms!

1- Measure out a length of string or yarn (I used yarn because that’s what I had and it’s comfy on the neck.) The length is to your liking.

2- Cut carnations right down to the calyx.  I used 26 carnations per garland.

3- Set out a design you like on the table in the intended shape.

4- Thread an embroidery needle with your length of yarn.  Pierce the first carnation from the bud to the calyx end, moving the carnation down your piece of yarn.  I continued through all 26 carnations this way – from bud to calyx – but if you wanted the flowers to be facing upward on both sides of the chain when worn, you would split your flowers in half, and pierce the second half from calyx to head.  This is a bit more difficult to physically do.  I tried it both ways and ended up liking the look of the flowers all going in the same direction, which means that when you wear it, one side starts with the calyx side up, and one side starts with blooms side up.

Samantha Saeger (NEOC) and Ken Walker Jr (CSU,) second place North American F and M 21 winners of the Middle Distance at NAOC.

When the neck garlands were complete, I put slipped them into cellophane bags and stored them in the fridge overnight.  Once out of the fridge, I think they lasted for a few days.  The same goes for the head wreaths.

Floral awards were sealed in cellophane, and stored in the fridge

Head wreath detail, photo by Julie Keim

Creating a head wreath is not a difficult process, but it requires patience and dexterity.  There are a few ways to do it, and some I previously blogged, but I found the best way (and most comfortable to wear) to be the following:

1- Measure out a length of bind wire to the size of a small head – about 21″ or 22″.  Be sure to leave a few inches on either side, fashioning these into loops. (So total length 23-25″)

2 – Take your base material (foliage like laurel, seeded eucalyptus, ruscus, etc) and lay it against the bind wire.  Using floral tape, tape the stems of the foliage onto the wire.  Continue taping the stem, around leaves.

3- Add more foliage as you go. The floral tape can be tricky to work with.  It just takes practice to maneuver it around leaves. You can either add flowers now, or go back later and add them.  I created the foliage base first, and then added the flowers in groupings by taping the stems onto the wire with floral tape.  I used roses (spray roses, small buds) and waxflower.

4- Try it on.  Look in the mirror.  See what looks out of place and trim back or move materials around.  Finally, thread a ribbon through the two loops you created and tie in a bow for ease of changing the length.  Voila! You have created a head wreath, so fun to wear.

It was really an honor to crown these amazing athletes with custom awards.  Photo by Ken Walker Jr.

Samantha Saeger (NEOC) and Ross Smith (CSU) crowned with my wreaths of Italian ruscus and waxflower. They were first place F-21 and M-21 North American winners of the Sprint at NAOC.

Creating these custom sport awards was a great learning experience for me, and it was such an incredible honor to see my work worn by the top North American orienteers! I would like to thank Sandy Fillebrown and DVOA for the opportunity, and Peicha Chang of falls flowers for assisting me with acquiring floral materials, and her instruction on making head wreaths for the wedding work we did previously was also very helpful.  I really enjoyed this project and hope there is more sporting award work in my future!

notes from an autumn gone wild

Autumn is a second spring when every leaf is a flower.  ~Albert Camus

packing up the car to the gills for a fall wedding w peicha

I would rather sit on a pumpkin, and have it all to myself, than be crowded on a velvet cushion. ~ Henry David Thoreau

pumpkin scouting at linvilla

Delicious autumn!  My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns.  ~George Eliot

wreath by peicha of falls flowers

The fall has been a busy one, with big changes in my personal life, a scary family illness, my very first independent floral job, and competing at a national sporting event. I’ve also been working with Peicha of falls flowers on the weekends, helping her do wedding designs, and it’s really been very eye-opening and fun.

Peicha creates a bridal bouquet using garden roses, white dahlias, lady’s mantle, hydrangea, and eryngium

This particular wedding reception was in a bride’s home, which made it very special.  Here bride Gillian is holding her bouquet.  She was calm and happy, and totally stunning!

I had the most excellent time creating a garland for the railing in the foyer using a multitude of beautiful materials, like amaranth, dahlia, eryngium, roses, hydrangea, kiwi vine, and more.  They are little bowers or bundles of flowers that I wired together, then attached to the leaf garland which we wound with large ribbon.

This was so fun to make!

Check out the falls flower blog post on this beautiful wedding!  Somehow a picture of me doing disco got included.  Cuz you should be having fun in life.

I’ve also been back at Longwood Gardens, taking floral design classes in order to complete my certificate.  I was so excited to finally take a class from the impeccably organized Cres Motzi…this class was Creating a Statement – Grand Designs. In this class Cres really showed us some great ideas especially for how the mechanics of large arrangements work.

Cres Motzi creates a grid using tape over the mouth of this large glass container, then adds branches

It’s great to create these large arrangements – but how on earth do you transport them? Cres had a good idea about using 2 milk crates, with the bottom cut out of one and then zip tied together to transport this big guy.

Cres adds greens, rose hips and kale. it’s getting grander by the minute!

When it comes our turn to play, we are arranged in groups of 3 since there are 2 large designs to make.  I was more than lucky to find myself alongside Melissa, a wonderful person I met back at Lilies and Lavender.  This year is a very exciting one for her as she creates a floral business at her home.  More developments on this to come, because obviously we get along really well.

melissa is in my group creating some grand designs

melissa and i having fun together

Our Grand Design – atriplex, italian ruscus, amaranth, hydrangea, peach stock, leucodendron, safflower, alstromeria, etc

Okay, so the Grand design we created had an intended recipient – my dad at the hospital.  He was having issues with his innards and would require surgery a few days later.  But after really looking at the above design I felt that it was too funereal.  So, I ripped it apart, and using other materials both from the garden and from the extra flowers we got at class, I created this little fall basket full of love.  I wasn’t able to snap a great picture of it, too much in a hurry to see my dad.

‘get well’ basket for dad – roses, lilies, nandina berries, atriplex, hydrangea, stock, amaranth, some anemone from the garden (oh these don’t last by the way), fennel seed from garden, alstro, and grass flower heads

After he recovered and was on his way out of the hospital, I was glad to hear that he gave the basket to his excellent team of nurses as a thank you! (Next, I created floral awards for a sporting ceremony…that need to be blogged in their own separate post coming right up.)

Surrounded by flowers…a good thing to be

Through all of the craziness of moving, worrying about my dad, driving all over tarnation, flowers have kept me sane.  I believe that creating/designing with flowers is part of my recipe for personal success.  I am somewhere between avocation and vocation…where will this path lead?

fall table design

I’m back at Longwood, taking floral design electives until some of the meatier courses resume in October.  Everything is happening in October.  Well, and November too.

Anyway, it was so nice to be back in Jane Godshalk’s classroom, where everything is right with the world.  Jane is a phenomenal teacher, and I can’t say enough lovely things about her without seeming like a gushing fool…but really.  Jane does it right.  Her ability to select materials that create foolproof combinations is spot on, and her directions are easy to follow and inspiring.  It’s not just “boom, put it in the container, you’re done.” There is a thoughtfulness and precision to floral design; and if your materials become unwieldy, Jane will help you tame them with such a grace, you almost want to simply watch her do all the floral design. But, it is too fun not to play yourself, especially with all the Fall Bounty in front of us!

Wire each leaf onto two wires which will become a garland that you drape throughout the design

For this class, we’re creating a natural table design in a woven basket with a plastic liner.  One of the main ingredients is a garland made of preserved oak leaves that we wire together ourselves while Jane shows us the rest.  It’s busy work you can do while you’re watching TV, and it gets my creative juices flowing, thinking about all the cool autumn possibilities (can you say: Thanksgiving table-scaping?!) We have our choice with the mechanics – either use floral foam (no thanks) or balled up chicken wire in which the stems will rest. While the floral foam is easier to work with – you just stick your stem in and you’re done – the chicken wire is re-usable.  It’s worth the extra effort in my opinion. Just be sure to fill it up with water!

Jane begins by adding greens – I have to apologize for my bad camerawork during this class, I was too mesmerized by all the floral treasures.

Jane starts by adding greens, making a nice, natural base, using Italian ruscus, olive and even some fragrant bay leaf if you like.  (Note to self: I love bay.  Maybe this is something I could use for the NAOC award head garlands.  More on this later!!)  She then adds the bigger flowers like hydrangeas.  Some of our hydrangeas are so huge, we can divide them and have more.  Hydrangeas are a really important flower in floral design, I’m learning, because not only do they come in such great colors (and change color as well,) they help take up some real estate while actually adding a certain lightness to your design.  They really help tie everything together, especially this variety in the light green color with some muted rose to the edges of it, it’s just delicious.

She adds ‘Coffee Break’ Roses, ‘Red Rover’ mums, and then it’s time for the sunflowers.  Sunflowers are hard to work with – they are just so singular, they pop out so much, that they really need to be placed just perfectly.  If you put them side by side, and they have the dark centers, they look like eyes staring out of your design.  Not good.  So play with the way you angle them, group them together but have the heads pointing slightly different directions…or just watch Jane and learn from the master.  We also have millet, amaranth, broom corn, bittersweet, and asclepias to play with!  Our designs are overflowing with possibility, and the colors are so autumnal.

Hey! Isn’t that Kate Sparks from Lilies and Lavender?? Yes it is…and she’s a natural at this…

Patti’s design incorporates bittersweet vine beautifully

A newcomer to the floral design world leaves with a smile on her face

I was a little out of practice, I’ll admit! It took me a little while to get going.  I ended up giving this natural fall table design to my brother and sister-in-law for a party they were hosting, so it went to good use.  However I neglected to get pictures with my ‘good camera.’

My fall table design

My fall table design at home

It’s so great to be back in class!

magic at cairnwood

I spent the day helping Peicha Chang of falls flowers, and my what a lovely day it was.  We set up for a wedding at Cairnwood, a magical place that beckons you to “experience the grandeur of the Gilded Age.”

This country estate in Bryn Athyn, 16 miles from center city Philadelphia, was constructed in 1895 and has been designated a National Historic Landmark.  Looks like a great place to get married!

mason jars filled with blooms cap the end of every other row

rustic chandelier is hung in the gnarled conifer, with roses in place of candles

Inside the estate, we had 14 tables to cover with centerpiece “collections” in three different rooms, a mantle to hang with vintage bottles filled with buds, a cake cupboard to strew with loose flowers, and a greeting table to bedeck with more vintage bottles filled with blooms.  The palette features grays and creams and peachy pinks, which echo the colors in some of the rooms of Cairnwood.

Peicha’s centerpiece collections include the clever use of succulents as table number holders

the mantle, covered with old pictures, is hung with vintage bottles filled with buds

a glimpse of the bride

Juliet roses, peachy stock, white anemones, brunia and succulents on display

I couldn’t help myself, while taking pictures of the bouquets wrapped and ready to go, I had to capture the bridesmaid’s room.  People are so interesting.

bridesmaids getting ready

awaiting fresh cakes

groomsman with boutonniere

I am feeling a little like a maidservant in Downton Abbey at this point, trying to be silent and unobtrusive and graceful.  Peicha infuses the day with positivity and humor.

On our way out, we discover a great photo op…the very gorgeous bride and groom!  Best wishes to you both for a beautiful life together.

Bridal bouquet designed by Peicha

spread the love

I’m referring to Jennie Love, of course! She’s the Eco-Queen of cut flowers, and the owner of Love ‘n Fresh Flowers – “a petite, sustainably managed, urban flower farm and full service event floral design studio in Philadelphia dedicated to creating fresh textural arrangements exclusively with locally grown flowers.” She is really doing it right, growing everything herself and utilizing those organically grown materials to create stunning designs! Please read her page on “Why Local,” it explains why sourcing local floral materials is the right choice in this global trade, and she says it better than I could…

I’ve been dying to meet Jennie for some time. Here she finally is in her cute vintage apron! I’m holding the hand-tied bouquet I made in class.

Today, she is our teacher for a Floral Fun class at Longwood Gardens, where we’ll be creating a hand-tied bouquet; and she should feel right at home here because Jennie got her training in both growing and floral design at Longwood.

hand tied bouquets from spring months – Jennie Love’s designs – photo courtesy of Love ‘n Fresh Flowers

Jennie Love spring design, photo courtesy of Love ‘n Fresh Flowers

Why create a hand-tied bouquet? They are very fast to make, they eliminate the need for carcinogenic floral foam, and they’re lovely in their loose, organic, country garden feel. They make a great simple gift, too, and it’s easy to create one out of the flowers right from your own garden, especially when you have great plants to work with and a teacher like Jennie to show you how.

Marigold ‘Jedi Orange’ gets very tall

Jennie has brought freshly harvested materials from her farm, and as you can see, these flowers are vibrating with health and beauty. She has two acres in the Roxborough section of Philly, where everything is grown organically – no chemical ever touches her sweet blooms. “But watch out for bugs and spiders,” she warns.

Jennie’s buckets of goodness

Here’s our plant list for the class – it’s also a good guide for easy to grow cut flowers. Jennie uses Renee’s Garden seeds and Johnny’s Selected Seeds in her garden. (And then I bet she saves seeds – I didn’t ask, but she just seems like a seedsaver to me!)

  • Hydrangea ‘Little Lamb’ a Pee Gee Hydrangea to be cut within the first year
  • Zinnia ‘Benary Series’ – easy to direct sow
  • Marigold ‘Jedi Orange’ – good variety for cutting, get very tall (6′!!)
  • Celosia or Cockscomb- small light purple variety…can’t remember name
  • Foxtail Grass or Setaria – grows by roadside, don’t be shy to collect it yourself, it will lend great drama to your bouquet
  • Baptisia – perennial shrub – great texture, blue-green foliage can add tendril effect, this time of year nice pods too
  • Caryopteris ‘Longwood Blue’ – perennial shrub – how appropriate, and gorgeous
  • Queen Anne’s Lace, Ammi majus ‘Green Mist’
  • Dill ‘Bouquet’ – grows extra big flower heads – I love this!
  • Gomphrena ‘Audray Series’ – cute cute cute little strawberry heads “like twinkling stars” within the framework of a bouquet
  • Bronze fennel
  • False sunflower, Heliopsis helianthoides

Snow-on-the-Mountain, or Euphorbia marginata, emits a milky sap that when cut can cause dermatitis. We are given gloves in case we want to work with this – so gorgeous!

We begin by stripping the leaves and side stems off of all our materials, and making neat, organized piles of each material. To start the hand-tied bouquet, Jennie recommends taking foliage/flower that will create the inner column – in this case we use hydrangea. The first set of stems is to be kept straight, but as you add to your hand-tied, you should be constantly turning the whole bouquet and then adding your sets of stems at an angle, and it will eventually look like a spiral of stems, beautiful. We hold the stems in a relaxed manner in our non-dominant hands, pinching the index or middle finger and thumb together loosely to keep our angles intact.

As you build your hand-tied bouquet, keep turning and adding stems at an angle. As you build bigger, the angles will get more dramatic!

After the first set of stems, add sets of stems to develop texture and contrast. A zinnia or two here, some filler flower or foliage there. Do a 1/4 turn after each set of stems to create fullness and a balanced design. Here, Jennie apologizes for sounding like a hippy, as she advises us to really just “let the flowers speak to you.” You can add things to the center by dropping them down into the bouquet if you feel it needs more of something. “Don’t be afraid to get wild,” she imparts, adding her foxtail grass which erupts in green flame from the bouquet, which is growing ever larger, fuller, and more beautiful by the minute. Yes, she makes it look easy. That’s because hand-tieds are the bulk of what she does. She does many, many weddings (I think she said she’s already done 72 in this year alone?!) and these bouquets are central to her work. She’s developed the hand strength to whip right through them, and her eye guides the design as she goes.

Hand tied bouquets look good in round mouthed containers. No square vases please.

Then, when you’re all done, take the rubber band you have cleverly put around your wrist and work it around your stems. Cut stems evenly and at the height you want – measure against your container before you cut, and leave a bit longer so you can always cut more. Once inside the container, you can fuss and let things breathe a bit. So, how did we do?

Julie’s design is gorgeous and sits upright on it’s own after completion! Balance is perfection!

Kevin had no problem with his design, great job!

The next morning, I find a container for mine and a little patch of morning light to set it in.

My hand tied bouquet loosened up in a metal pitcher. Zinnia, baptisia foliage and pod, dill, foxtail grass, gomphrena, celosia, hydrangea, caroypteris, fennel, queen anne’s lace…

Thanks, Jennie Love. I really enjoyed meeting you! And I feel really good about this Philly-grown bouquet – no packaging, no shipping, no floral foam – spread the love!

lilies and lavender

A little while back, I visited a very unique flower farm in Doylestown, PA called Lilies and Lavender. The head honcho, Kate Sparks, gave my friend Jane and I a tour of her four acre sustainable farm.

Kate Sparks, the cowgirl of cut flowers, amongst the zinnias

Here, Kate and her team grow many types of cut flowers using only organic fertilizers and the least harmful pesticides. Black plastic mulch is used to prevent weeds from growing. I saw many bees buzzing and birds flying, and it seemed to me a very happy place where the circle of life remains unbroken.

Snapdragons growing like gangbusters in the hoop house

Kitchen scraps are fed to worms, creating worm compost that is used to add organic matter to the growing medium

Delicious dark purple calla lily has a happy home

The acreage is long and narrow, but goes on and on. Each time we passed one section, I thought we’d reached the end, only to find there was more around the corner. While the farm is not weeded in a pristine way, each group of plants is clearly thriving under the Kate’s green thumb. She has more energy and works harder than most human beings, you can tell, and I think it comes from the fact that she’s doing something that she loves.

Calendula – an herb for healing but also a beautiful cut flower!

Cerinthe is one of the more unusual selections you”ll find here – I love it.

Bouquet of goodness from L&L contains huge dill flower heads!

Lilies and Lavender sells their flowers at both the Doylestown and Rittenhouse farmers markets, at their farm stand out front, and to select local florists. That’s us, we’re the lucky local designers today!

Melissa, Kate, Jane and Christine after our tour of Lilies and Lavender farm

Jane Godshalk, my wonderful teacher from Longwood Gardens and mentor extraordinaire, took some beautiful bouquets home to create rectangular table centerpieces for an upcoming event. Inspired by Kate’s commitment to sustainability, Jane wanted to keep this design as eco-friendly as possible. She used Excelsior, the non-toxic, biodegradable wood packaging product as the mechanic for stabilizing the stems, wetted down with a fair amount of water. Sure beats using the non-biodegradable, formaldehyde-laden floral foam!

Jane packs the containers with excelsior, then adds water. She begins her design with hosta greens from her own garden

VOILA – Jane Godshalk’s designs using locally grown flowers from Lilies and Lavender

Thanks, Kate Sparks! I know I only scratched the surface of your operation here, but that’s because I already desperately want to come back. PS You could be a jeans model.

Shucks, here’s one more lavender/bee shot for Kate:

hydrangea blues

My small world has been vibrating with blue lately…the blue of the hydrangea.   In the little town of Swarthmore, the sky-colored puffs are so prolific they must be predicting the end of the world with their abundance of blossom.  We’re surely going out in style!

Hydrangea macrophylla ‘Penny Mac’ – flowers on both old and new growth

A stroll through the Hydrangea Collection at the Scott Arboretum will leave you reeling in disbelief at nature’s ability to create shades so cerulean.  Actually, their color can vary depending on the soil’s acidity…alkaline soil (pH>7) produces pink flowers, while acidic soil (pH<7) produces blue flowers.  We must be having quite an acidic year.

H. macrophylla ‘Nigra’ has lovely dark stems

H. macrophylla, one of the most common species of Hydrangea, can have two different forms of flowers – either hortensia, the mophead, ball-shaped form; or lace-cap which is flat topped.

‘Claudia’ has a lace-cap form.

H. serrata – Another lace-cap form: the smaller darker flowers in the center are fertile, while the outer more showy flowers (actually sepals) are infertile.  The bees know the difference.

Most hydrangeas like dappled shade and well drained loamy soil.  Hydrangea macrophylla blooms from late June through August, and prefers part shade and moist soil.    It flowers on the previous season’s growth and should be pruned immediately after flowers have faded in late summer or early fall.  (Unlike H. arborescens and H. paniculata – prune those in late winter or early spring, they flower on the current year’s growth.)  Here’s more on pruning, from Fine Gardening.

Larry enjoys a moment of relaxation

‘Glowing Embers’ also called ‘Alpengluhen’

These blooms are as big as my niece June’s head!

Finally, hydrangeas make wonderful cut flowers.  They can last for weeks if their stems are re-cut and the water is changed frequently.  For my birthday, I created this simple arrangement using Hugh and Juliet’s blue macrophylla hydrangea (thanks guys!) and some of the Ammi majus from my garden.

a midsummer’s night wedding

Last week, I met the Nancy Saam flower gang at the Merion Cricket Club in Haverford, PA.  Our mission:  to create a wedding day in the tone of A Midsummer’s Night Dream.  It was to be a whimsical woodland, a graceful garden, and a summery sweet setting; the type of shindig that the Fairy Queen herself would attend.

I know a bank whereon the wild thyme blows,
Where oxlips and the nodding violet grows
Quite over-canopied with luscious woodbine,
With sweet musk-roses, and with eglantine:
There sleeps Titania some time of the night,
Lulled in these flowers with dances and delight;
And there the snake throws her enamelled skin,
Weed wide enough to wrap a fairy in.

Bridal table canopy

Structural materials: birch trunks, curly willow, honey locust branches, and smilax vine wound down around birch trunks

Yet marked I where the bolt of Cupid fell:
It fell upon a little western flower,
Before milk-white, now purple with love’s wound,
And maidens call it, Love-in-idleness.

Some of the gorgeous materials used on the arbor: clematis, hanging amaranth, yarrow, nigella, viburnum, hydrangea, and more…

Things base and vile, holding no quantity,
Love can transpose to form and dignity.
Love looks not with the eyes, but with the mind,
And therefore is winged Cupid painted blind.

Marlene wraps the woodland cake with smilax vine, atop a tree trunk

What hempen home-spuns have we swaggering here,
So near the cradle of the fairy queen?

Centerpiece with pitcher plants, astilbe, fern, poppy, white scabiosa + seedpods, veronica, and chocolate cosmos

Nancy Saam tweaks the centerpieces

Pitcher plant, sarracenia – carnivorous!

Brenda trails smilax vine on the candelabras

What angel wakes me from my flowery bed?

Jane puts the finishing touches on her large cocktail arrangement

So we grew together,
Like to a double cherry, seeming parted,
But yet an union in partition;
Two lovely berries moulded on one stem;
So, with two seeming bodies, but one heart.